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Let's Go for a Ride

by Maxwell Newhouse

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cars & trucks, motor sports
list price: $22.99
published: 2006
publisher: Tundra
  • Short-listed, Governor General's Literary Awards - Children's Literature - Illustration
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They make strange noises. They belch smoke. There are far too many of them. But from the very beginning, we have always been crazy about our cars. In this visual love song to a much-maligned part of our lives, Maxwell Newhouse gives us a whimsical, quirky, and very personal history of the cars he adores.

In the early days, cars were primarily a source of recreation. They shared unpaved roads with horses and wagons, and when they ran out of gas — which was often because there were few gas stations — horses had to pull them home. Driving mania soon began to shape the landscape. Cars begat gas stations, which sparked the popularity of family camping, going to the drive-in, and fast food. They even spawned bridges so that people could ford rivers in the comfort of their cars.

Maxwell Newhouse has captured their spirit perfectly. Even now, when we all try to walk, use public transit, or ride bikes, there is still something thrilling in the cry, “Let’s go for a ride!”

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Contributor notes

Maxwell Newhouse is one of Canada’s most accomplished folk artists. His work is exhibited in galleries across Canada. He is well known for his paintings of the Royal Canadian Mounted Police Musical Ride, which are gathered together for the first time in his most recent book, The RCMP Musical Ride. He has illustrated three books for Tundra, including Emily Carr: At the Edge of the World, written by Jo Ellen Bogart. He lives in Cultus Lake, British Columbia.

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Editorial Review

Praise for The RCMP Musical Ride:

“Newhouse has created folk art illustrations that evoke the pageantry of ‘the ride’, while filling each page with details and fun for the reader.”
Brandon Sun

Praise for Emily Carr: At the Edge of the World:

“…this is a gorgeous look at the Canadian artist’s life…”
School Library Journal

“This book is a lovely introduction to a major artist.”
The Bloomsbury Review

“[A] beautiful biography… The finely detailed line drawings of Emily and her world… capture the very essence of Emily’s appearance….”
CM Magazine

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